The Quiche to End All Quiche

I have to admit it: I adore quiche.

I’ve been making it for years with relative success, but I’ve fallen in love with it again after turning to Julia Child’s master recipe.

In her book THE WAY TO COOK, Julia gives recipes for several types of quiche. Spinach, Lorraine, etc.

I started with her spinach quiche, and I’ve found that I can use the basic ratio she outlines there for any veggie quiche. Well, except for one twist, with the cheese. I like a lot of cheese in my quiche. Here’s the how-to:

  1. Pre-heat oven to 375.
  2. Get out your pillsbury dough boy pie crust and place it in a pie pan. If you can make your own crust, by all means, go for it. Julia Child has a great recipe for that too, and so does Michael Ruhlman in RATIO. I haven’t ventured there yet, mostly because I’m afraid I’ll like it and have to do it every time.
  3. Eggy mixture. This is Julia’s no-fail ratio. Beat three eggs and add enough milk to get to 1.5 cups of mixture. I mix it right in my four-cup mixing cup.
  4. Add salt, pepper, and nutmeg. Nutmeg is that key flavor you need, like in a good bechamel.
  5. Chop your veggies, anywhere between 1/2 cup and a cup. Spinach or broccoli are good stand-bys. A recent experiment I tried came out great: parsley and shallots. Mushrooms and scallions might be my next experiment.
  6. Do a super-fast sautee of your veggies in butter. You don’t want to cook the color out of them. Even thirty seconds is enough for some veggies.  Throw them in your mixing cup or bowl with the eggy mixture.
  7. Grate about 3/4 of a cup of cheese. I like a flavorful cheese like gruyere or emmentaler. Throw about 1/2 cup of the cheese into the mixture.
  8. Pour the mixture into the pie shell and then top with the remaining cheese.
  9. Bake at 375 degrees for 45 minutes (Julia says 35, but mine seem to need more – could be my oven, so check after 35).

It’s been coming out perfect every time for me! How does this work for you?

Failing Better

Today on her reading and writing blog, Kelly Hashway shared her thoughts about good not being enough in her own writing: http://www.kellyhashway.com/apps/blog/show/6558076-good-is-not-enough

I totally identified.

As I told Kelly, I’m always trying to improve my writing too, and I listed a few of the things that I routinely do to get there:

  • Reading great books (that “This!” moment when you see what an author has done so well). Recent a-ha moments have come from these amazing books:
    • Plain Kate by Erin Bow – poetic beauty in the sparsest of language
    • Love, Aubrey by Suzanne LaFleur – amazingly authentic voice
    • Matched by Ally Condie – a masterpiece of conflict and tension
  • Getting feedback on my work (critique partners, beta readers etc.). Everything from “I don’t think you’re starting this manuscript in the right place” to “You know, you use this word way too much.”
  • Attending conferences/retreats and reading craft books (learning from great authors/editors about how to succeed). Separate post on my favorite conferences/retreats to come!

Then I realized that this whole thing reminded me of Samuel Beckett’s words: “Fail again. Fail better.”

It’s the writing of course. My writing. The time, the effort, the work. The only way to get better is to continue to do it.

Outlining Using Agile

Bear with me, peeps.

I realize that writerly types might not be familiar with Agile Software Development.

And I realize that software types might take offense at my attempt to apply their iterative software development methodology to creative writing.

But I’ve been thinking a lot about the benefits of outlining, while realizing that I’m not very (*cough*) good at outlining. Recent events that brought me to this realization:

  • Reading a critique partner’s detailed 10-page outline. The novel was already written, but needed revisions. My reaction to reading this outline: Wow. Now that you have this, writing in all these changes is going to be easy.
  • Attending Claudia Gabel’s amazing lecture on plot at the Novel Writing Retreat at the Vermont College of Fine Arts. Her example outline (also approximately 10 pages) took us through the three-act novel structure. She advised that we don’t think of the outline as a prison, and reminded us that things will certainly change along the way as we begin to write.
  • Getting some very helpful feedback on a full WIP that still needs some work on the overall character arc and plot. My conclusion: a detailed outline at this stage will keep the big picture in mind before I begin to get bogged down in the details of revision.

So what does all of this have to do with Agile Development?

I know that I personally would not be able to write a juicy, detailed outline just from my original idea. This got me to thinking about Agile, and how I could borrow some of its principles and apply them to outlining:

  • Agile is iterative. It’s not set in stone. Things can change. (*sigh of relief*)
    • For me, this means I start with a “straw man,” a very rough outline. I use the 9-point-plotting technique found on my friend Cyn’s blog: http://cynjay.blogspot.com/2009/02/how-to-write-book.html
    • This also means that with each major milestone (completion of first draft, feedback from beta readers etc.) the original skeleton should be changed and beefed up!
  • Release often. My release cycles look like this:
    • Run idea and 9-step outline by critique group and begin writing.
    • Send chapters to critique partners. First chapters will probably receive multiple rounds of feedback.
    • (Keep updating outline along the way.)
    • Keep writing until draft is complete.
    • (First draft of detailed outline.)
    • Send full draft out for critique.
    • (Update detailed outline.)
    • Major revisions.
    • Send manuscript out to beta readers.
    • (Update detailed outline.)
    • *Final* revisions.
  • Hold daily scrums! As a writer, daily meetings are probably with yourself (or a critique partner if you’re lucky), but I find it’s really important to at least check in with my manuscript every day.
  • Responding to change. What I love about Agile is that if something’s not working, that’s OK. Throw it out. Change it. Embrace change!

I’m about to put this whole outlining plan into action with these WIP revisions I have coming up in April. Anyone else want to give it a go? I’d love to hear reports on if this works for others too!

Creating Colorful Characters in YA

Whether reading or writing, we all want colorful characters. People who will jump off the page and make us care. When writing for young adults, the extremes seem to be:

Typical, everyday teens = not so interesting

Teens with supernatural or paranormal skills = not all that likely

There’s more to it, of course. For instance, most of Sarah Dessen’s characters seem pretty typical on the surface. And everyone knows how successful Stephanie Meyers has been with her vampires. Yep, they attend a regular high school.

But if you look closely at Dessen’s characters, they aren’t all that typical. They have special skills, unique problems, and/or interesting challenges.  And the Twilight vampires are also firmly grounded in a very real love story.

So where’s that middle ground? Think of it like a college application. Not that all characters need a 4.0 or top SAT scores (boring!). But what they need is passion. For something. Or several things. They need to be colorful, and interesting.

Examples:

Anna, from Stephanie Perkins’ ANNA AND THE FRENCH KISS: passionate about films (and about a certain cute guy with great hair)

Lucy, from Cynthia Jaynes Omololu’s DIRTY LITTLE SECRETS: passionate about covering up an incredible family secret

Andi, from Jennifer Donnely’s REVOLUTION: passionate about her music and about the history she escapes into

These teens are definitely far from typical.

But it doesn’t mean they need to be vampires.

Why I Wish I Spoke Japanese

There are lots of good reasons to learn Japanese. A few have hit me over the years. I wish I could see the original versions of Hayao Miyazaki’s films, for instance. It’d come in handy at the sushi bar. And it just sounds pretty cool.

But the main reason is the literature. Some of my favorite authors are Japanese: Haruki Murakami, Banana Yoshimoto, and Yoko Ogawa. The images are so crisp, so unique. They stun me with their prose.

And the food – the food! How can you read KITCHEN and not immediately call your favorite Japanese restaurant to order up some pork katsudon? And who doesn’t crave grapefruit marmalade after reading PREGNANCY DIARY? I made it – it is good.

But of course I might be deluding myself. I don’t speak Japanese  – except “the girls are eating” and similar variants. It might just be spectacular translation. But somehow I don’t think so.

Preparing for March Madness

No, not the basketball kind – the writing kind:

http://www.denisejaden.com/Blog.html

I’m in!

I did a similar complete-your-draft challenge in September, clocking in more than the 25K-word goal over the month. My goal this time around:

Write 15K words on new WIP. This is 500 words/day for 30 days. Totally doable. The 25K was clearly also doable, but in a painful, studying-for-finals kind of way.

That is all. Anything else is butter.

Looking for Suspense?

Being more of a “quiet” writer, I’ve been looking for ways to add suspense to my writing.  And no, it doesn’t have to be action-suspense, like a hungry lion showing up at your wafer-thin apartment door like it did in one of my dreams last night (no joke).

Instead, one of the greatest suspense vehicles I’ve seen in the novels I’ve read this week is making your character zip it. Examples:

Jade in Helene Boudreau’s REAL MERMAIDS DON’T WEAR TOE RINGS: can’t tell anyone but her dad about her slippery predicament

Aubrey in Suzanne LaFleur’s LOVE, AUBREY: can’t tell her new best friend about her grief because she isn’t ready

Evie in KL Going’s THE GARDEN OF EVE: can’t tell her practical dad that she sees a dead boy in the graveyard every day

Awesome, awesome, awesome. So my advice, if you’re looking for suspense?

Don’t tell a soul.

Horchata: a Valencian specialty

Let’s face it: most tourists who visit Spain head for Barcelona, Madrid, or Seville. These three beautiful cities have a lot to offer, including a lot of great food and drink.

But Valencia, the third-largest city in Spain, is likewise a great place to visit. For starters, it’s now connected to Madrid with the high-speed AVE train, cutting the travel time down to well under two hours. It’s on the Mediterranean coast, with a compact “old city” downtown, surrounded by a huge ring of colorful neighborhoods and attractions such as the modern City of Arts and Sciences. Farther out of town you’ll find la albufera, a watery reserve where rice for the famous paella valenciana grows – and where you can spend several hours in one of the local restaurants enjoying one of the best rice dishes you’ll ever taste.

Besides paella, Valencia is known for another specialty: horchata. This sweet and milky drink is made from the chufa, or “tiger nut,” and is definitely worth trying. Tucked away in the Plaza Santa Catalina in the city center are a couple of establishments which specialize in the drink. My favorite – both for atmosphere and taste – is the Horchateria Santa Catalina. Small marble tables dot both the downstairs and upstairs, and colorful blue and white tiles decorate the walls, making it the perfect place to take a break from shopping and sightseeing.

Along with your horchata, be sure to order a plate of fartóns. Not only is the word a lot of fun to say, these soft bread sticks covered in powdered sugar are the perfect complement to your milky beverage.

¡Buen provecho!

Ensaladilla Rusa

I’d have a hard time picking a favorite tapa in Spain – so many delicious ones to choose from! But ensaladilla rusa – “little Russian salad” – is definitely up there on my list, especially because it’s slightly different in each bar you visit, but always delicious.

Another bonus: you can pretty easily get most of the ingredients in the US to prepare it at home. It’s also fun to prepare with kids. You can do all the prep work and chopping, and then each child can add in some of the prep bowls of ingredients and help with the mixing.

What you need:

  • 2-3 large potatoes
  • 2 small or 1 large can of tuna in olive oil (spring for the good stuff from Spain if you can)
  • 2 hard-boiled eggs
  • 2 large carrots
  • 1 cup of peas (frozen ones – defrosted obviously – hold their color well)
  • 1/2 of a small sweet onion
  • 1 can/jar of white asparagus
  • 1 can of anchovy-filled olives (you can usually find the Goya ones)
  • olive oil to taste
  • sherry vinegar to taste
  • salt to taste

1. First, get going on the prep work. Peel and slice the potatoes into small cubes, and the carrots into small slices.

2. Boil the potatoes, eggs, and carrots (in separate pots), and heat up the peas in the microwave. When the eggs are boiled, cut them in half, reserve the egg yolks, and finely chop the whites.

3. Finally, finely chop up the onion, and set aside in a small dish. Open the cans of tuna, olives, and asparagus, and finely chop half of the olives.

4. Ready to combine! Begin with the potatoes in a large bowl, and then add in the carrots, peas, tuna, onion, chopped egg whites, and chopped olives.

5. Add dressing and season. You’ll need a ratio of about 3/4 olive oil and 1/4 sherry vinegar. Pour it right into the bowl along with a couple of pinches of salt, and then continue to add whichever of these three you need to taste.

6. Spoon out the mixture into a serving dish or platter, then top with the remaining full olives, white asparagus, and crumbled egg yolks.

¡Delicioso!

book review: StarCrossed (Elizabeth Bunce)

StarCrossed is a wonderfully-told story that already has me itching for the sequel. Ms. Bunce pulls the reader directly into Digger’s world with a fantastic voice that never had me doubting anything she told me – although it was certainly helpful to have the glossary in the back!

Digger is a lovable heroine with great weaknesses and a boatload of secrets. She (and Bunce) give us some bones along the way, making for an exciting read, but they also manage to hold some inside until very near the end, where she spills to exactly the right person.

The secondary characters are likewise completely believable and intriguing, each with his or her own set of issues that interact so perfectly with Digger’s. The action leading up to the climax had me turning pages to the exciting and satisfying ending.

Well, almost satisfying. Because all I can say now is: “Pox! Now I have to wait for the sequel!”