Friends & Anemones Anthology

Yesterday afternoon I had the great pleasure of attending the virtual launch of Friends & Anemones, a poetry anthology for kids.

FRIENDS AND ANEMONES: Ocean Poems for Children, is a fun and informative collection of original poems and art by New England authors and illustrators. Hands join fins in an adventure through kelp forests to meet sea otters and whales. Attend an underwater birthday party! Voyage through tempests to bottom-of-the-ocean volcanos and mysterious creatures in the deep, deep darkness. This book is a valuable ecological and poetry resource for parents as well as librarians and teachers. The Writers’ Loft brings together authors and artists from all over New England to collaborate, because writing doesn’t have to be a solitary pursuit!

The Writers’ Loft in Sherborn, MA curated this project, with Kristen Wixted and Heather Kelly editing. I was lucky enough to serve as one of the judges, along with fellow poet Matt Forrest Esenwine, and I even have a poem in the book myself! It’s wonderful to now see all the beautiful poems and illustrations in their finished forms.

Please do order your copies through to support The Blue Bunny bookstore, which hosted the event! Happy reading!

Book Two News!

I’m so excited to share that HMH Versify will be publishing my next YA historical novel-in-verse, THE MOST DAZZLING GIRL IN BERLIN!

I have been working on this project for a long time, but I continue to love it as much as I did when I began the very first draft. The Weimar Republic was a fascinating and complex era, and Berlin was most decidedly the hub of its universe. Finding out what it was like to live then and there–especially in the queer community in Schöneberg–totally captured my heart. I hope it captures readers’ hearts too!

For any other writers (especially those writing historical fiction) who might want to know how long my projects have taken me:

  • I wrote my first draft of (a very different version of) WHITE ROSE in 2005, and it was published in 2019 (14 years).
  • I wrote my first draft of (a very different version of) THE MOST DAZZLING GIRL IN BERLIN in 2013, and it will be published in 2022 (9 years).


  1. Some things take time.
  2. If you love a project, never give up.

Longlist, and Shortlist, and Award-winner!

It’s been a busy few months in many ways, but I’ve been the lucky recipient of three pieces of lovely news about my debut novel, White Rose:

  1. It’s been named on the longlist for the Massachusetts Book Award (in some fantastic company with fellow Massachusetts authors)!
  2. It was named on the shortlist for the 2020 Amelia Elizabeth Walden Award (again in fantastic company, including the winning Lovely War by Julie Berry).
  3. Finally, White Rose has been named the 2019 Malka Penn award winner! This annual award is for works addressing human rights in children’s literature, and I’m so incredibly honored. Read all about the award and the amazing honor books here!

Journals Accepting Short YA Fiction: Updated for 2020!

There are plenty of places to submit short fiction, as you can see from a quick scroll through Submittable, but it hasn’t always been so easy to find the perfect home for your shorts that truly fall under the YA umbrella. Back in 2017, I summed up a list of five journals accepting YA short fiction, but the landscape has definitely changed. Only two of the original five publications are still in operation. Even a new one suggested by a reader (The Passed Note) has since shut down. However! There is now a brand new YA journal! Voyage launched in the summer of 2020, and they not only have some great content up already, but they are also open to submissions!

In summary, the following journals are now open for YA:

  • Voyage is the latest YA journal on the scene. They are interested in quality work by writers from a variety of backgrounds, especially #ownvoices.
  • Lunch Ticket is the Antioch University literary journal, and accepts YA submissions. They also accept general submissions from authors aged 13 and up!
  • Writers aged 13-17 are also welcome to submit to the School Lunch feature at Lunch Ticket.
  • Hunger Mountain This is the VCFA literary journal, and accepts YA regular and contest submissions.

Any other favorite journals I missed that accept YA submissions? Please feel free to share in the comments!

Favorite Books of 2019

I’ve been posting my favorite books of the year for several years now, and even though my own debut novel came out this year, I have plenty of other favorites! As usual, I fell hard for some historicals and novels-in-verse, and I’m also including a graphic novel that both my kids and I absolutely adored. In fact, I had quite a few middle grade books among my top picks:

  • THE BRIDGE HOME by Padma Venkatraman. As with all of Padma’s stories, this book is full of heart (which might break just a little while reading, but it’s so worth it).
  • NEW KID by Jerry Craft. This graphic novel is a must-read for everyone. Fantastic artwork and story.
  • OTHER WORDS FOR HOME by Jasmine Warga. A gorgeous novel-in-verse about a new immigrant and her family.
  • HOW HIGH THE MOON by Karyn Parsons. This racially-charged historical is set partially in South Carolina and partially in Boston, and takes the reader along on a difficult journey they won’t soon forget.

But as usual, most of my favorites this year were young adult titles. So many favorites this year! Here are a handful of my top picks:

  • INTERNMENT by Samira Ahmed. This dystopian places a teenager and her family in a Muslim internment camp and follows her resistance from within its walls.
  • LOVELY WAR by Julie Berry. The setting in this WWI historical was vivid, the writing gorgeous, and the story layered and rich and divine. Also, the romance(s)! Simply lovely.
  • THE DOWNSTAIRS GIRL by Stacey Lee. I adore all Stacey Lee’s books, and this one is my favorite yet. Jo is a Chinese American girl living in Reconstructionist Georgia whose determination is an inspiration.
  • BUTTERFLY YELLOW by Thanhha Lai. I love Thanhha’s verse, but the prose is just as lovely here. It’s a post-Vietnam War historical and a tragic reminder of the scars immigrants fleeing terrible situations bear.

I also had a couple of really innovative favorites:

  • PET by Akwaeki Emezi. People have been calling this one genre defying and it sure is. Jam calls forth Pet, who returns to Jam’s world to hunt a monster. Absolutely incredible.
  • IN PARIS WITH YOU by Clémentine Beauvais, translated by Sam Taylor. I read this novel-in-verse in the English translation, but I do want to try it in my (rusty) French as well because aaaaah, all the feelings! I loved this gorgeously-written retelling of Eugine Onegin.

Finally, a few bonus books from the 2020 ARC titles I was lucky enough to read this year:

  • THE BLOSSOM AND THE FIREFLY by Sherri L. Smith. Get this one on your radar pronto, and get those tissues handy! I love everything about this historical set in Japan in the final days of WWII. Absolutely stunning.
  • THE ASSIGNMENT by Liza Wiemer. This fictional story is based on a real incident that had high school students taking sides in a mock debate about the Final Solution. Like the real-life students, these students refuse to participate, taking a powerful stand against hate.
  • FLOWERS IN THE GUTTER by K. R. Gaddy. This work of narrative non-fiction offers an impressive body of research about the Edelweiss Pirates, a loosely-grouped band of teen resistance members during WWII.

That’s it from me for 2019. What were your favorites from this year? And what books are you most looking forward to in 2020? Please share!

Award news!

I’m thrilled to announce that A Kiss Before Breakfast, a project I submitted to the SCBWI WIP translation grant, has won the award!

Translation is a relatively new obsession for me, but the source text (Un beso antes de desayunar, a picture book from Spain) has been one of my family’s favorite books for years. The text is so lovely that I couldn’t stop thinking about it and had to give it my best shot.

Find the full list of grants and winners here. Congrats to all!

A Dash of Weimar Republic

Last week, I shared a post of my path following the White Rose in Munich on my recent trip to Germany. One of the other stops on my trip was Berlin, which had nothing to do with the White Rose, but which gave me a dash of Weimar Republic I was looking for.

First off, traces of history are hard to find in modern-day Berlin, rebuilt after about 80% of the city was destroyed in WWII and then modernized again after the fall of the Berlin Wall. So sometimes a hint means “[XYZ] used to be here,” where [XYZ] was once a cabaret, the most popular cafe in town, or an old dance hall.

Sometimes hints can be found in actual items from back in the day. There are several vintage and antique shops in Schöneberg, and I also got to visit the Saturday flea market at the Rathaus.

Just walking around the neighborhood provided glimpses of what once was, even though most of these structures have at least been partially rebuilt.

(Literal) signs of some of the more famous residents still exist today as well. I’d made a point of booking in the Hotel Sachsenhof, where the poet Else Laske-Schüler used to live, but other famous residents in the neighborhood included writer and director Billy Wilder and writer Christoph Isherwood.

But there were a couple of places that went virtually untouched and still exist today with much of that century-old detail. One such place is the Einstein Cafe, an art nouveau villa that now serves excellent meals with loads of ambience.

Another is Clärchens Ballhaus, a still-active restaurant and dance hall that makes you feel like you’ve stepped back in time. There’s been talk of the place switching hands or closing down, but I certainly hope it remains for years to come.

Overall, it’s not easy digging for history in a city that’s been through so much, but it was definitely worthwhile to find those small traces that remain.

White Rose in Germany

Back when I was doing my initial research for White Rose, I visited Munich and Ulm a few times, both to speak to experts and spend time in the archives and to get a feel for some of the important sights themselves.

This summer, I was in Germany to do some research for a couple of different projects, so I got to spend some time in Munich once more, visiting a couple of newer museums/exhibits, and donating a copy of White Rose to the Weiße Rose Stiftung, a fantastic organization at the university that houses an (updated!) exhibit and organizes events to keep the group’s legacy alive.

It’s always chilling to visit sites of historical significance, especially those where something so important happened, and I made a point (as I did other times I’ve visited) to stop, think, remember. What were Sophie and Hans thinking that day? Do students passing through these halls today think of their legacy every so often?

I also got to visit a few other sites important to White Rose history, including the Justitzpalast (Palace of Justice) where the trials were held, the apartment building that once housed Sophie and Hans’s flat, the Ostbahnhof (East Train Station) where Sophie bade farewell to the boys when they left for the front, and the site of the former Wittelsbacher Palais (Wittelsbach Palace), where the Gestapo interrogations took place.

I’ve previously visited the Perlacher Forst cemetery beside the Stadelheim Prison where White Rose members were executed, and didn’t make it back there this time, but it’s of course every bit as somber a place as expected.

The ghosts from the war are never far from the surface in Germany, no matter how much is rebuilt. Some of those remnants have been left as a reminder, like at the Wunden der Erinnerung (Scars of Remembrance) wall around the corner from the university.

Plenty of other signs lie underfoot, like the Stolpersteine (stumbling stones) placed in memory of Jewish victims of the Nazis in front of buildings where they used to live.

Moreover, these signs infuse the air, capturing the voices and memories of those whose lives ended too soon, whispering to those passing by today and into the future, begging us not to forget, begging us, Never again.

Historical Novel Society Conference Highlights

I’ve been watching from the sidelines for years as other historical fiction authors I admire talked about the Historical Novel Society and its amazing conference, held every two years in the United States. I promised myself that if I ever got a book published, I would try to go, and lo and behold, it worked out for me this year!

My debut novel, White Rose, based on the true story of a German student-led resistance group during World War II, was published in April, 2019, with HMH’s new Versify imprint, so I was lucky enough not only to attend the conference this June, but also to present as part of a WWII panel (Beyond Rosie the Riveter) and a Kaffee Klatsch (The Crossover Revolution: Is It Adult or Is It YA?).

Obviously a huge highlight for me was talking my passion with these fantastic authors and attendees. But there was much more to the conference. I’ve been to SCBWI (Society of Children’s Book Writers and Illustrators) conferences multiple times, and while I can sometimes manage to track down the historical writers in the bunch, it was amazing to be surrounded by other like-minded individuals. Instead of, “What do you write?” I could start out with a much more specific, “What’s your era?” to get a conversation going. And there were conversations aplenty, starting with Thursday evening’s costume party, which I thoroughly enjoyed.

Next, attending other sessions was a huge highlight for me, including the
Tall Poppy Writers’ Marketing Collective panel and the State of the State of Historical Fiction panel with a group of agents and editors.

Finally, listening to Dolen Perkins-Valdez give her fabulous keynote about “making sh*t up” (while she also clearly does the work, putting on the gloves in the archives and the whole bit) and going back to our “nerd-holes” was an absolute inspiration. Looking forward to reading her books, and to reading more from everyone I met!

Upcoming Workshops

I’m thrilled to announce that I’ll be leading some upcoming workshops, focusing on my own areas of passion and expertise: verse and historical fiction. I’m already looking forward to working with writers on their projects. Feel free to share and to ask any questions in the comments below.

Where and when you can catch me in the coming months:

July 16, 2019: The Writers’ Loft, Sherborn, MA

September-December, 2019: at home!

This fall, I’ll be leading a virtual-based historical fiction workshop through Inked Voices. I’m especially excited about this one because I’ll get to read several historical fiction projects and get to know the writers behind them.

September-October 2019: Follow Your Art, Melrose, MA

This fall, I’ll be working with teens to craft and revise original poems, as well as introduce them to various forms and styles of poetry.